Analysis of In the Room

James Thomson 1700 (Port Glasgow) – 1748 (London)



'Ceste insignefable et tragicque comedie' RABELMS.

The sun was down, and twilight grey
Filled half the air; but in the room,
Whose curtain had been drawn all day,
The twilight was a dusky gloom:
Which seemed at first as still as death,
And void; but was indeed all rife
With subtle thrills, the pulse and breath
Of multitudinous lower life.

II
In their abrupt and headlong way
Bewildered flies for light had dashed
Against the curtain all the day,
And now slept wintrily abashed;
And nimble mice slept, wearied out
With such a double night's uproar;
But solid beetles crawled about
The chilly hearth and naked floor.

And so throughout the twilight hour
That vaguely murmurous hush and rest
There brooded; and beneath its power
Life throbbing held its throbs supprest

Until the thin-voiced mirror sighed,
I am all blurred with dust and damp,
So long ago the clear day died,
So long has gleamed nor fire nor lamp.

Whereon the curtain murmured back,
Some change is on us, good or ill;
Behind me and before is black
As when those human things lie still:
But I have seen the darkness grow
As grows the daylight every morn;
Have felt out there long shine and glow,
In here long chilly dusk forlorn.

The cupboard grumbled with a groan,
Each new day worse starvation brings:
Since he came here I have not known
Or sweets or cates or wholesome things:
But now! a pinch of meal, a crust,
Throughout the week is all I get.
It am so empty; it is just
As when they said we were to let.

What is become, then, of our Man?
The petulant old glass exclaimed;
If all this time he slumber can,
He really ought to be ashamed.
I wish we had our Girl again,
So gay and busy, bright and fair:
The girls are better than these men,
Who only for their dull selves care.

It is so many hours ago--
The lamp and fire were both alight--
I saw him pacing to and fro,
Perturbing restlessly the night.
His face was pale to give one fear,
His eyes when lifted looked too bright;
He muttered; what, I could not hear:
Bad words though; something was not right

The table said, He wrote so long
That I grew weary of his weight;
The pen kept up a cricket song,
It ran and ran at such a rate:
And in the longer pauses he
With both his folded arms downpressed
And stared as one who does not see,
Or sank his head upon his breast.

The fire-grate said, I am as cold
As if I never had a blaze;
The few dead cinders here I hold,
I held unburned for days and days.
Last night he made them flare; but still
What good did all his writing do?
Among my ashes curl and thrill
Thin ghosts of all those papers too.

The table answered, Not quite all;
He saved and folded up one sheet,
And sealed it fast, and let it fall;
And here it lies now white and neat.
Whereon the letter's whisper came,
My writing is closed up too well;
Outside there's not a single name,
And who should read me I can't tell.

The mirror sneered with scornful spite,
(That ancient crack which spoiled her looks
Had marred her temper), Write and write!
And read those stupid, worn-out books!
That's all he does, read, write, and read,
And smoke that nasty pipe which stinks:
He never takes the slightest heed
How any of us feels or thinks.

But Lucy fifty times a day
Would come and smile here in my face,
Adjust a tress that curled astray,
Or tie a ribbon with more grace:

She looked so young and fresh and fair,
She blushed with such a charming bloom,
It did one good to see her there,
And brightened all things in the room.

She did not sit hours stark and dumb
As pale as moonshine by the lamp;
To lie in bed when day was come,
And leave us curtained chill and damp.
She slept away the dreary dark,
And rose to greet the pleasant morn;
And sang as gaily as a lark
While busy as the flies sun-born.

And how she loved us every one;
And dusted this and mended that,
With trills and laughs and freaks of fun,
And tender scoldings in her chat !
And then her bird, that sang as shrill
As she sang sweet; her darling flowers
That grew there in the window-sill,
Where she would sit at work for hours.

It was not much she ever wrote;
Her fingers had good work to do;
Say, once a week a pretty no


Scheme Text too long
Poetic Form
Metre 111111 0111011 11011001 11011111 011011 11111111 01110111 11010101 11101 1 0101011 01011111 01010101 011101 01011101 1101011 11010101 01010101 01010110 1101101 110001110 1101111 01011101 11111101 11010111 111111011 1010101 11111111 01100111 11110111 11110101 11011001 11111101 01110101 01010101 11110101 11111111 11111101 11011101 01011111 11110111 11111011 110111101 01001101 11111101 11011101 111110101 11010101 01110111 11011111 111101001 010100101 11110101 01010001 11111111 11110111 11011111 11110111 01011111 11110111 01110101 11011101 00010101 1111011 01111111 11110111 010111111 11110101 01110111 11011101 11111111 11111101 01110101 11111101 01010111 11010111 01110111 01111101 101101 11011111 11110101 01111111 01011101 11011101 11010101 01110111 11111101 01110111 11010101 11011111 11010101 11011011 01011101 11010111 11110101 11110101 11111101 01011001 111110101 1111101 11011111 0111101 11010101 01110101 01110101 11010111 011111001 01010101 11010111 0101001 01011111 111101010 11100101 111111110 11111101 01011111 11010101
Closest metre Iambic tetrameter
Characters 4,022
Words 800
Sentences 27
Stanzas 18
Stanza Lengths 1, 8, 9, 4, 4, 8, 8, 8, 8, 8, 8, 8, 8, 4, 4, 8, 8, 3
Lines Amount 117
Letters per line (avg) 27
Words per line (avg) 7
Letters per stanza (avg) 177
Words per stanza (avg) 44
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Submitted on May 13, 2011

Modified on April 25, 2023

4:01 min read
110

James Thomson

James Thomson, who wrote under the pseudonym Bysshe Vanolis, was a Scottish Victorian-era poet famous primarily for the long poem The City of Dreadful Night, an expression of bleak pessimism in a dehumanized, uncaring urban environment. more…

All James Thomson poems | James Thomson Books

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