Analysis of Nothing To Wear




Miss Flora McFlimsey, of Madison Square,
Has made three separate journeys to Paris;
And her father assures me, each time she was there,
That she and her friend Mrs. Harris
(Not the lady whose name is so famous in history,
But plain Mrs. H., without romance or mystery)
Spent six consecutive weeks without stopping,
In one continuous round of shopping;
Shopping alone, and shopping together,
At all hours of the day, and in all sorts of weather:
For all manner of things that a woman can put
On the crown of her head or the sole of her foot,
Or wrap round her shoulders, or fit round her waist,
Or that can be sewed on, or pinned on, or laced,
Or tied on with a string, or stitched on with a bow,
In front or behind, above or below;
For bonnets, mantillas, capes, collars, and shawls;
Dresses for breakfasts, and dinners, and balls;
Dresses to sit in, and stand in, and walk in,
Dresses to dance in, and flirt in, and talk in;
Dresses in which to do nothing at all;
Dresses for winter, spring, summer, and fall,
All of them different in color and pattern,
Silk, muslin, and lace, crape, velvet, and satin,
Brocade, and broadcloth, and other material
Quite as expensive and much more ethereal:
In short, for all things that could ever be thought of,
Or milliner, modiste, or tradesman be bought of,
From ten-thousand-francs robes to twenty-sous frills;
In all quarters of Paris, and to every store:
While McFlimsey in vain stormed, scolded, and swore.
They footed the streets, and he footed the bills.

The last trip, their goods shipped by the steamer Argo
Formed, McFlimsey declares, the bulk of her cargo,
Not to mention a quantity kept from the rest,
Sufficient to fill the largest-sized chest,
Which did not appear on the ship's manifest,
But for which the ladies themselves manifested
Such particular interest that they invested
Their own proper persons in layers and rows
Of muslins, embroideries, worked underclothes,
Gloves, handkerchiefs, scarfs, and such trifles as those;
Then, wrapped in great shawls, like Circassian beauties,
Gave good-by to the ship, and go-by to the duties.
Her relations at home all marvelled, no doubt,
Miss Flora had grown so enormously stout
For an actual belle and a possible bride;
But the miracle ceased when she turned inside out,
And the truth came to light, and the dry-goods beside,
Which, in spite of collector and custom-house sentry,
Had entered the port without any entry.
And yet, though scarce three months have passed since the day
The merchandise went, on twelve carts, up Broadway,
This same Miss McFlimsey, of Madison Square,
The last time we met, was in utter despair,
Because she had nothing whatever to wear!

Nothing to wear! Now, as this is a true ditty,
I do not assert, this you know is between us,
That she's in a state of absolute nudity,
Like Powers's Greek Slave, or the Medici Venus;
But I do mean to say I have heard her declare,
When at the same moment she had on a dress
Which cost five hundred dollars, and not a cent less,
And jewelry worth ten times more, I should guess,
That she had not a thing in the wide world to wear!
I should mention just here, that out of Miss Flora's
Two hundred and fifty or sixty adorers,
I had just been selected as he who should throw all
The rest in the shade, by the gracious bestowal
On myself, after twenty or thirty rejections
Of those fossil remains which she called her "affections,"
And that rather decayed but well-known work of art,
Which Miss Flora persisted in styling "her heart."
So we were engaged. Our troth had been plighted
Not by moonbeam or starbeam, by fountain or grove;
But in a front parlor, most brilliantly lighted,
Beneath the gas-fixtures we whispered our love,
Without any romance, or raptures, or sighs,
Without any tears in Miss Flora's blue eyes,
Or blushes, or transports, or such silly actions;
It was one of the quietest business transactions,
With a very small sprinkling of sentiment, if any,
And a very large diamond imported by Tiffany.
On her virginal lips while I printed a kiss,
She exclaimed, as a sort of parenthesis,
And by way of putting me quite at my ease,
"You know, I'm to polka as much as I please,
And flirt when I like, now stop, don't you speak,
And you must not come here more than twice in the week,
Or talk to me either at party or ball;
But always be ready to come when I call:
So don't prose to me about duty and stuff,
If we don't break this off, there will be time enough
For that sort of thing; but the bargain must be,
That as long as I choose I am perfectly free:
For this is a sort of engagement, you see,
Which is binding on you, but not binding on me."

Well, having thus wooed Miss McFlimsey, and gained her,
With the silks, crinolines, and hoops that contained her,
I had, as I thought, a contingent remainder
At least in the property, and the best right
To appear as its escort by day and by night;
And it being the week of the Stuckups' grand ball,
Their cards had been out for a fortnight or so,
And set all the Avenue on the tiptoe,
I considered it only my duty to call
And see if Miss Flora intended to go.
I found her, as ladies are apt to be found
When the time intervening between the first sound
Of the bell and the visitor's entry is shorter
Than usual, I found, I won't say I caught, her
Intent on the pier-glass, undoubtedly meaning
To see if perhaps it didn't need cleaning.
She turned as I entered, "Why, Harry, you sinner,
I thought that you went to the Flashers' to dinner!"
"So I did," I replied; "but the dinner is swallowed,
And digested, I trust; for 'tis now nine or more:
So being relieved from that duty, I followed
Inclination, which led me, you see, to your door.
And now will your Ladyship so condescend
As just to inform me if you intend
Your beauty and graces and presence to lend
(All of which, when I own, I hope no one will borrow)
To the Stuckups, whose party, you know, is to-morrow?"
The fair Flora looked up with a pitiful air,
And answered quite promptly, "Why, Harry, mon cher,
I should like above all things to go with you there;
But really and truly, I've nothing to wear."

"Nothing to wear? Go just as you are:
Wear the dress you have on, and you'll be by far,
I engage, the most bright and particular star
On the Stuckup horizon, " I stopped, for her eye,
Notwithstanding this delicate onset of flattery,
Opened on me at once a most terrible battery
Of scorn and amazement. She made no reply,
But gave a slight turn to the end of her nose
(That pure Grecian feature), as much as to say,
"How absurd that any sane man should suppose
That a lady would go to a ball in the clothes,
No matter how fine, that she wears every day!"
So I ventured again, "Wear your crimson brocade."
(Second turn-up of nose) "That's too dark by a shade."
"Your blue silk," "That's too heavy." "Your pink, " "That's too light."
"Wear tulle over satin." "I can't endure white."
"Your rose-colored, then, the best of the batch"
"I haven't a thread of point lace to match."
"Your brown moire-antique, " "Yes, and look like a Quaker."
"The pearl-colored," "I would, but that plaguy dressmaker
Has had it a week." "Then that exquisite lilac,
In which you would melt the heart of a Shylock."
(Here the nose took again the same elevation)
"I wouldn't wear that for the whole of creation."
"Why not? It's my fancy, there's nothing could strike it
As more comme il faut" "Yes, but, dear me, that lean
Sophronia Stuckup has got one just like it,
And I won't appear dressed like a chit of sixteen."
"Then that splendid purple, that sweet mazarine,
That superb point d'aiguille, that imperial green,
That zephyr-like tarlatan, that rich grenadine, "
"Not one of all which is fit to be seen,"
Said the lady, becoming excited and flushed.
"Then wear," I exclaimed, in a tone which quite crushed
Opposition, "that gorgeous toilette which you sported
In Paris last spring, at the grand presentation,
When you quite turned the head of the head of the nation;
And by all the grand court were so very much courted."
The end of the nose was portentously tipped up,
And both the bright eyes shot forth indignation,
As she burst upon me with the fierce exclamation,
"I have worn it three times at the least calculation,
And that and most of my dresses are ripped up!"
Here I ripped out something, perhaps rather rash,
Quite innocent, though; but to use an expression
More striking than classic, it "settled my hash,"
And proved very soon the last act of our session.
"Fiddlesticks, is it, sir? I wonder the ceiling
Doesn't fall down and crush you!, oh, you men have no feeling.
You selfish, unnatural, illiberal creatures,
Who set yourselves up as patterns and preachers,
Your silly pretence, why, what a mere guess it is!
Pray, what do you know of a woman's necessities?
I have told you and shown you I've nothing to wear,
And it's perfectly plain you not only don't care,
But you do not believe me" (here the nose went still higher):
"I suppose if you dared you would call me a liar.
Our engagement is ended, sir, yes, on the spot;
You're a brute, and a monster, and, I don't know what."
I mildly suggested the words Hottentot,
Pickpocket, and cannibal, Tartar, and thief,
As gentle expletives which might give relief:
But this only proved as a spark to the powder,
And the storm I had raised came faster and louder;
It blew, and it rained, thundered, lightened, and hailed
Interjections, verbs, pronouns, till language quite failed
To express the abusive, and then its arrears
Were brought up all at once by a torrent of tears;
And my last faint, despairing attempt at an obs-
Ervation was lost in a tempest of sobs.

Well, I felt for the lady, and felt for my hat too,
Improvised on the crown of the latter a tattoo,
In lieu of expressing the feelings which lay
Quite too deep for words, as Wordsworth would say:
Then, without going through the form of a bow,
Found myself in the entry, I hardly knew how,
On doorstep and sidewalk, past lamp-post and square,
At home and up-stairs, in my own easy-chair;
Poked my feet into slippers, my fire into blaze,
And said to myself, as I lit my cigar,
Supposing a man had the wealth of the Czar
Of the Russias to boot, for the rest of his days,
On the whole do you think he would have much time to spare
If he married a woman with nothing to wear?


Scheme Text too long
Poetic Form
Metre 110111001 1111010110 001001111111 110011010 10101111100100 1110101011100 11010010110 0101001110 1001010010 11101010011110 111011101011 101101101101 11101011101 11111111111 111101111101 0110101101 11111001 1011001001 10110010010 10110010010 1001111011 1011011001 111100010010 11001110010 01010100100 110100110100 011111110111 1100111111 11101111011 0110110011001 110111001 11001011001 011111101010 110101101 111001001101 0101101011 1110110110 11101001100 101001011010 11101001001 11010011 11001011011 110111110 1111010111010 0010111111 11011101001 111001001001 101001111011 001111001101 1011010010110 11001011010 01111111101 010111111 111111001 01111101001 0111101011 101111110110 111011111011 11001110100 11111001010 111111111001 11011011101 111101001011 01001111111 111101001111 11101111111 1100101101 1111010111111 0100110101 111010110010 1110011110010 011001111111 111001001001 11001101111 1111111011 100110110010 010110110101 0110011111 0110101111 110101111010 1111010010010 10101101100110 00101100101100 101001111001 10110110100 01111011111 11111011111 0111111111 011111111001 11111011011 1111011111 11111011001 111111111101 11111101011 111111111001 11101101011 111011111011 1101111010 1011011010 111110010010 11001000011 101110111011 01100110111 1111110111 011010101 101011011011 01111001011 11011011111 10101001011 1010010010110 110011111110 011011010010 11101110110 111110110110 111111010110 1111011010110 01011111111 110011110110 01011111111 01111101 1110111101 11001001011 111111111111 101110111110 011011101001 01011011011 111011111111 11001011011 101111111 10111101111 101011001001 10101011101 010110011100 10111101100100 11001011101 11011101101 11101011111 10111011101 101011101001 110111111001 111001111001 101111111101 111111011111 11101011011 1110101101 1100111111 111011011010 01101111110 11101111001 0111101101 10110101010 110111011010 111110110111 11111111111 01001111111 011011101101 111010111 10111101001 11011111 1111111111 101001001001 11101001111 01011011110 01011101010 1111011011010 0110110110110 011011111 0101111010 111011101010 111111101010 01011110111 11111001101 110011111010 11011011011 0110101111010 1111110010 10110111111110 1100100110 11011110010 11011101111 1111110100100 111101111011 011001111011 11110111011110 1011111111010 1001011011101 101001001111 110010011 1001001001 11010011101 111011011010 001111110010 11011101001 01011011011 101001001101 011111101011 011101001111 111001011 1111010011111 101011010001 01101001011 1111111011 10110101101 11001011011 110111101 11011011101 1110110110011 0111111101 01001101101 10111101111 1011111111111 111001011011
Closest metre Iambic hexameter
Characters 10,056
Words 1,904
Sentences 49
Stanzas 6
Stanza Lengths 32, 24, 41, 31, 70, 14
Lines Amount 212
Letters per line (avg) 37
Words per line (avg) 9
Letters per stanza (avg) 1,315
Words per stanza (avg) 312
Font size:
 

Submitted on August 03, 2020

Modified on March 17, 2023

9:31 min read
126

William Allen Butler

William Allen Butler was an American lawyer and writer of poetical satires. more…

All William Allen Butler poems | William Allen Butler Books

0 fans

Discuss this William Allen Butler poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "Nothing To Wear" Poetry.com. STANDS4 LLC, 2024. Web. 11 Jun 2024. <https://www.poetry.com/poem-analysis/56978/nothing-to-wear>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    June 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    19
    days
    4
    hours
    33
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    "Now I become myself. It's taken time, many years and places."
    A May Sarton
    B W.H. Auden
    C Robert Frost
    D Rita Dove