Analysis of The Village Saturday Night



The damsel from the field returns,
The sun is sinking in the west;
Her bundle on her head she sets,
And in her hand she bears
A bunch of roses and of violets.
To-morrow is a holiday,
And she, as usual, must them wear
Upon her bodice, in her hair.
The old crone sits among her mates,
Upon the stairs, and spins;
And, looking at the fading light,
Of good old-fashioned times she prates,
When she, too, dressed for holidays,
And with light heart, and limb as light,
Would dance at night
With the companions of her merry days.
The twilight shades around us close,
The sky to deepest blue is turned;
From hills and roofs the shadows fall,
And the new moon her face of silver shows.
And now the cheerful bell
Proclaims the coming festival.
By its familiar voice
How every heart is cheered!
The children all in troops,
Around the little square
Go, leaping here and there,
And make a joyful sound.
Meanwhile the ploughman, whistling, returns
Unto his humble nest,
And thinks with pleasure of his day of rest.

Then, when all other lights are out,
And all is silent round,
The hammer's stroke we hear,
We hear the saw of carpenter,
Who with closed doors his vigil keeps,
Toils o'er his lamp and strives so hard,
His work to finish ere the dawn appear.

The dearest day of all the week
Is this, of hope and joy so full;
To-morrow, sad and dull,
The hours will bring, for each must in his thought
His customary task-work seek.

Thou little, sportive boy,
This blooming age of thine
Is like to-day, so full of joy;
And is the day, indeed,
That must the sabbath of thy life precede.

Enjoy, it, then, my darling child,
Nor speed the flying hours!
I say to thee no more:
Alas, in this sad world of ours,
How far exceeds the holiday,
The day that goes before!


Scheme ABXXXCDDXXEAFEEFXXXXXGXXXDDHABB XHXXXXX IXGXI JXJKK XLMLCM
Poetic Form
Metre 01010101 01110001 01010111 000111 0111001100 1101010 011100111 01010001 01110101 010101 01010101 11110111 1111110 01110111 1111 1001010101 0110111 01110111 1101011 0011011101 010101 01010100 110101 1100111 010101 010101 110101 010101 1011001 101101 0111011111 11110111 011101 010111 11011100 11111101 110110111 1111010101 01011101 11110111 110101 01011111011 1100111 11011 110111 11111111 010101 1101011101 01111101 1101010 111111 010111110 1101010 011101
Closest metre Iambic tetrameter
Characters 1,695
Words 327
Sentences 14
Stanzas 5
Stanza Lengths 31, 7, 5, 5, 6
Lines Amount 54
Letters per line (avg) 25
Words per line (avg) 6
Letters per stanza (avg) 269
Words per stanza (avg) 65
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Submitted on May 13, 2011

Modified on April 28, 2023

1:38 min read
131

Count Giacomo Leopardi

Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi was an Italian philosopher, poet, essayist, and philologist. He is considered the greatest Italian poet of the nineteenth century and one of the most important figures in the literature of the world, as well as one of the principals of literary romanticism; his constant reflection on existence and on the human condition—of sensuous and materialist inspiration—has also earned him a reputation as a deep philosopher. He is widely seen as one of the most radical and challenging thinkers of the 19th century but routinely compared by Italian critics to his older contemporary Alessandro Manzoni despite expressing "diametrically opposite positions." Although he lived in a secluded town in the conservative Papal States, he came into contact with the main ideas of the Enlightenment, and through his own literary evolution, created a remarkable and renowned poetic work, related to the Romantic era. The strongly lyrical quality of his poetry made him a central figure on the European and international literary and cultural landscape. more…

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